中国科技术语 ›› 2025, Vol. 27 ›› Issue (6): 155-157.doi: 10.12339/j.issn.1673-8578.2025.06.036

• 术语溯源 • 上一篇    下一篇

莆仙戏“傀儡介”术语考释及文化意蕴探析

郑湘(), 黄有望, 米昊琦   

  1. 西安工程大学, 陕西西安 710048
  • 收稿日期:2025-06-06 出版日期:2025-11-05 发布日期:2025-11-04
  • 作者简介:

    郑湘(2000—),男,西安工程大学硕士研究生,研究方向为视觉传达设计。通信方式:

Examination and Interpretation of the Term “Puppet Jie” in Puxian Opera and Exploration of Its Cultural Connotations

ZHENG Xiang(), HUANG Youwang, MI Haoqi   

  • Received:2025-06-06 Online:2025-11-05 Published:2025-11-04

摘要:

莆仙戏,作为“宋元南戏活化石”,其表演体系中的核心术语“傀儡介”,是古老艺术血脉交融的活态见证。文章以多维视角系统考释“傀儡介”的术语本源、形态特征与表演范式,并深入挖掘其承载的丰厚文化意蕴。研究表明,“傀儡介”源于傀儡戏技艺向莆仙戏的创造性转化,其独特的“提线感”与“偶韵美”的美学追求,不仅凝固了戏曲艺术流变的历史记忆,更深刻折射出闽地“人神共娱”的民间信仰观、对“偶性超越”的辩证审美思维,以及戏曲艺术在模仿与重构中自我更新的永恒生命力。

关键词: 莆仙戏, 傀儡介, 术语考释, 文化意蕴

Abstract:

Puxian Opera,recognized as the “living fossil of Southern Opera from the Song and Yuan dynasties,” features the core term “puppet Jie” in its performance system,serving as a dynamic testament to the integration of ancient artistic traditions.This paper systematically examines the etymological origins,morphological characteristics,and performance paradigms of “puppet Jie” from a multidimensional perspective,while delving into its rich cultural connotations.Our research indicates that “puppet Jie” originated from the creative transformation of puppet theater techniques into Puxian Opera.Its unique aesthetic pursuit of “string manipulation sensation” and “puppet charm beauty” not only encapsulates the historical memory of the evolution of opera art but also profoundly reflects the folk belief in “divine-human co-entertainment” in Fujian,the dialectical aesthetic thinking of “puppet transcendence,” and the eternal vitality of opera art in its continuous self-renewal through imitation and reconstruction.

Key words: Puxian Opera, puppet jie, term examination and explanation, cultural connotations